Search

jamesgray2

A discussion of interesting books from my current stock A WordPress.com site

Category

Books of Hours

Hardouyn Heures on vellum!s

N.

Heures a lusaige de Romme tout au long                           sans riens requerir : avec les figures de la                        vie de lhomme: et la destruction de hierusa=lem.

Tout pour le Mieulx.

747915

Paris : Par Gillet Hardouyn imprimeur, 1509     $53,000

Large Quarto 9 x 5 3/4   inches (a very Large copy)  [92] Vellum leaves A-L8, M4  complete.

Printed in red and black. 21 full -page Illustrations,  and 28 small woodcuts along the text, from the Master of the Apocalypse Rose, and IMG_0336Pichore design. All the borders are painted . ILLUMINATED IN GOLD AND  very vivid COLOURS BY A CONTEMPORARY HAND, liquid-gold initials and line-filler the illustrations are mostly of Gospel scenes; numerous small illustrations of saints and miscellaneous subjects; each text page within varying historiated border. One- and two-line initials in gold on blue or red ground throughout. The imagery in this book combines metalcut designs by Jean Pichore with the rich illumination of a painter.

Large R (for Rome) on first four leaves of each quire, in a line with the signature.

This copy is bound in 18thcentury tan calf recently rebacked.

IMG_0316
HARDOUYN (Gilles or Gillet), son of Guillaume, born in 1455, libr. – juror and printer, 1491-1521; resigns his duties as a free juror on 9 Sept. 1519. He was first a bookseller and IMG_0319then also a typographer, he was, together with Germain Hardouyn, one does not know if his son or brother, among the first to introduce in the decoration of the Livres d’heures the style of the Italian Renaissance.   He published exclusively books of hours. Before the fall of Pont-Notre-Dame (25 Oct. 1499), he lives in the 8th house of the bridge. Then He can be found: – “At the end of the bridge at the Change, at the sign of the Rose, below the beautiful Ymaige; – On the bridge at the Change near the beautiful Ymaige Notre Dame at the sign of the Rose “; At this location he is listed as  was only bookseller. And almost IMG_0331every Hours that bears this address have the name of another printer than him. In 1509, he became a printer and established himself: – “At the end of the bridge Notre Dame before saints Denis de la Chartre at the sign of the Rose dor; – In confinio pontis Nostræ Dominæ, ante ecclesiam sancti Dionisii of carcere, ad intersignum Rosæ deauratæ; Several books of hours bearing this address and his name as imprint. With an almanac beginning earlier, are not earlier than 1509. He keeps this address until the end .

Documents: Arch. Nat., ZIH 24, 364; L. DOREZ, Notes … n ° 11; P. LACOMBE, Books of Hours, Passim. We admit here with Leon Dorez, that the libr.-juror who resigns his office in 1519 and who is called Gilbert is the same as Gillet; however it is qualified factor , which seems to apply with difficulty to a printer having produced as much as him. – The ancestors of the Hardouyn had always lived and “exposed their days” on the bridge Notre Dame. 

IMG_0325Sig. A1r (Hercules and the centaur Nessus* ), a1v almanac for 1508-20, a2r-7r calendar, a7v-B1v Gospel sequence [Martyrdom of St. John, two portrait cuts], B2r-6r Passion according to St. John [Crucifixion], B6r-7r Obsecro te, B7v-c8r Hours of the Virgin: Matins-Lauds [Adam and Eve, Annunciation, Visitation], C8v-F2r Hours of the Cross and of the Holy Ghost, intermingled with Hours of the Virgin: Prime-Compline [Flagellation, Pentecost, Nativity, Annunciation to the Shepherds, Adoration of the Magi (x 2), Flight into Egypt, Coronation of the Virgin], F2v-3v prayers for saying on weekdays, F4r-8r prayers for saying on Saturday and others, F8v- G5r Seven Penitential Psalms [a Prophet, David],IMG_0332 G5r-8r Litany of Saints, G8v-I6v Office of the Dead [a Prophet, Job on his Dungheap], I7r-8v prayers to the Virgin and to St. John the Evangelist, I8v-K5v suffrages, K5v-7v prayers to the Virgin, Missus est Gabriel, K8r-L3v seven prayers to St Gregory, Seven joys of the Virgin, and other prayers in Latin and French, L4r contents, L4v colophon, M1-6 Office of the Immaculate Conception).M4 Prayer: Jesus soit en ma teste; M4v colophon..

Full page woodcuts:
A1 Hardouin Device, the Centaurus Nessus, Heracles and the abduction of Deianira;
A1v Planetary man, in the form of a Skeleton;
A6 Martyrdom of Johannes the Evangelist, in the cauldron of boiling oil;

IMG_0346
A8v Impotence of the soldiers in the capture of Christ in Gethsemane-Ego Sum;
B4v Divine Decree, the Church and the virtues;
B5 Annunciation;
C3v The meeting of Joachim and Anna at the Golden Gate;
C8V Flagellation of Christ;
D1 Crucifixion;

IMG_0313
D2 Pentecost;
D3 Nativity;
D5v Annunciation to the Shepherds;

747915_view 02_02-2

D6 Nativity (from Simone Vostre Quart Series);
E1 Adoration of the Magi;
E3v Presentation in the Temple;
E6 Massacre of the Innocents;

IMG_0323
F1v Death of the Virgin;

IMG_0345
F8v battle and Death of Uriah;

747915_view 03_03
G1 King David and Bathsheba bathing;
G8v The poor Lazarus at the banquet of the rich, “Lazarus and Dives”;
H1 Massacre of the Innocents (Repeated);
L 8v Mary Immaculate;
M4v Hardouin Device.

Small Woodcuts:
A7, San Luca Evangelist in the Scriptorium;
A7v, San Matthew Evangelist in the Scriptorium;
A7v, San Mark Evangelist in the Scriptorium;
C8, Sanhedrin trial of Jesus;
I8 Man of Sorrows on a sarcophagus;
I8v Man of Sorrows on a sarcophagus (repeated);
I8v miracle of Pentecost;
K1v Annunciation;
K4v Archangel Michael as a conqueror of the Satan;
K4v Beheading of John the Baptist;IMG_0329
K5 John the evangelist with the cup of poison;
K5 decapitation of the Apostle Peter;
K5v St. James at pilgrimage with book;
K6 Martyrdom of St. Stephen standing with book and stones;
K6 St. Lawrence on the grill;
K6 St. Christopher carrying the Christ;
K6V Martyrdom of St. Sebastian;
K7v St. Nicholas with the three boys;
K7v St. Claudius as a bishop with book;
K8 St. Anthony as a hermit with his pig;
K8 St. Anne teaches Maria to read;
K8v St. Mary Magdalene standing with the Ampulla;
K8V St. Catherine with wheel, sword and book;
L1 St. Margaret escaping from the Satan, in the shape of a dragon;
L1 St. Barbara standing with tower and palm branch;
L1v Beheading of St. Barbara;
L3 Crucifixion with Mary and John;
L6 Annunciation to Mary. The words on the fourth line of the colophon and the entire 3 lines below that obliterated. Contemporary owner’s motto and arms painted in colors and gold on vellum leaves at beginning and end; early 19th-century booklabel of Bettison’s of Cheltenham & Leamington; 19th-century armorial bookplate of George Folliot.IMG_0340

In these Hardouyn Hours the metal cuts are emulating those of “Vostre”s new style of illustration”(see the next item in this catalogue).

IMG_0363

Bohatta 887, 891, ; Brun, pages 18 and 210 (“la meilleure production des presses d”Hardouyn”); Fairfax Murray/French 270; Lacombe 199. Brunet, Manuel , V, Paris 1864, coll. 1628-1644; Ph. Renouard, Imprimeurs Parisiens , etc., Paris 1898; P. Lacombe, Livres d’heures etc., Paris 1907; Bohatta, Bibliographie des livres d’heures .Vienna 1909; R. Brun, Le livre illustré en France au XVI and siècle , Paris 1930, pp. 22-26.
  1. Newberry Library IMG_0365

2.Huntington Library,

3.Morgan Library & Museum

4.University of British. Columbia

5.University of Cambridge

  1. 6 Koninklijike Bibliotheek

747915_view 04_04

Nessus is well known for his part in the story of the Shirt of Nessus. He was a ferryman, and one day, he had to carry Deianeira, wife of Heracules, across the river. After they crossed the river, Nessus tried to have sex with her, but Hercules watching from the other riverbank, shot an arrow straight into Nessus’ chest. Before he drew his final breath, Nessus told Deianeira that his blood would ensure that her husband would be faithful to her in eternity. Deianeira believed him and collected some of the centaur’s blood.

(E.B.)

IMG_0344

Hardouyn Heures on vellum!

247J.

Heures a lusaige de Romme tout au long                           sans riens requerir : avec les figures de la                        vie de lhomme: et la destruction de hierusa=lem.

Tout pour le Mieulx.

747915

Paris : Par Gillet Hardouyn imprimeur, 1509     $53,000

Large Quarto 9x 5 3/4   inches (a very Large copy)  [92] Vellum leaves A-L8, M4  complete.

Printed in red and black. 21 full -page Illustrations,  and 28 small woodcuts along the text, from the Master of the Apocalypse Rose, and Pichore design. All the borders are painted . ILLUMINATED IN GOLD AND  very vivid COLOURS BY A CONTEMPORARY HAND, liquid-gold initials and line-filler the illustrations are mostly of Gospel scenes; numerous small illustrations of saints and miscellaneous subjects; each text page within varying historiated border. One- and two-line initials in gold on blue or red ground throughout. The imagery in this book combines metalcut designs by Jean Pichore with the rich illumination of a painter.

Large R (for Rome) on first four leaves of each quire, in a line with the signature.

This copy is bound in 18thcentury tan calf recently rebacked.

IMG_0316
HARDOUYN (Gilles or Gillet), son of Guillaume, born in 1455, libr. – juror and printer, 1491-1521; resigns his duties as a free juror on 9 Sept. 1519. He was first a bookseller and then also a typographer, he was, together with Germain Hardouyn, one does not know if his son or brother, among the first to introduce in the decoration of the Livres d’heures the style of the Italian Renaissance.   He published exclusively books of hours. Before the fall of Pont-Notre-Dame (25 Oct. 1499), he lives in the 8th house of the bridge. Then He can be found: – “At the end of the bridge at the Change, at the sign of the Rose, below the beautiful Ymaige; – On the bridge at the Change near the beautiful Ymaige Notre Dame at the sign of the Rose “; At this location he is listed as  was only bookseller. And almost every Hours that bears this address have the name of another printer than him. In 1509, he became a printer and established himself: – “At the end of the bridge Notre Dame before saints Denis de la Chartre at the sign of the Rose dor; – In confinio pontis Nostræ Dominæ, ante ecclesiam sancti Dionisii of carcere, ad intersignum Rosæ deauratæ; Several books of hours bearing this address and his name as imprint. With an almanac beginning earlier, are not earlier than 1509. He keeps this address until the end .

Documents: Arch. Nat., ZIH 24, 364; L. DOREZ, Notes … n ° 11; P. LACOMBE, Books of Hours, Passim. We admit here with Leon Dorez, that the libr.-juror who resigns his office in 1519 and who is called Gilbert is the same as Gillet; however it is qualified factor , which seems to apply with difficulty to a printer having produced as much as him. – The ancestors of the Hardouyn had always lived and “exposed their days” on the bridge Notre Dame. 

Sig. A1r (Hercules and the centaur Nessus* ), a1v almanac for 1508-20, a2r-7r calendar, a7v-B1v Gospel sequence [Martyrdom of St. John, two portrait cuts], B2r-6r Passion according to St. John [Crucifixion], B6r-7r Obsecro te, B7v-c8r Hours of the Virgin: Matins-Lauds [Adam and Eve, Annunciation, Visitation], C8v-F2r Hours of the Cross and of the Holy Ghost, intermingled with Hours of the Virgin: Prime-Compline [Flagellation, Pentecost, Nativity, Annunciation to the Shepherds, Adoration of the Magi (x 2), Flight into Egypt, Coronation of the Virgin], F2v-3v prayers for saying on weekdays, F4r-8r prayers for saying on Saturday and others, F8v- G5r Seven Penitential Psalms [a Prophet, David], G5r-8r Litany of Saints, G8v-I6v Office of the Dead [a Prophet, Job on his Dungheap], I7r-8v prayers to the Virgin and to St. John the Evangelist, I8v-K5v suffrages, K5v-7v prayers to the Virgin, Missus est Gabriel, K8r-L3v seven prayers to St Gregory, Seven joys of the Virgin, and other prayers in Latin and French, L4r contents, L4v colophon, M1-6 Office of the Immaculate Conception).M4 Prayer: Jesus soit en ma teste; M4v colophon..

Full page woodcuts:
A1 Hardouin Device, the Centaurus Nessus, Heracles and the abduction of Deianira;
A1v Planetary man, in the form of a Skeleton;
A6 Martyrdom of Johannes the Evangelist, in the cauldron of boiling oil;

IMG_0346
A8v Impotence of the soldiers in the capture of Christ in Gethsemane-Ego Sum;
B4v Divine Decree, the Church and the virtues;
B5 Annunciation;
C3v The meeting of Joachim and Anna at the Golden Gate;
C8V Flagellation of Christ;
D1 Crucifixion;

IMG_0313
D2 Pentecost;
D3 Nativity;
D5v Annunciation to the Shepherds;

747915_view 02_02-2

D6 Nativity (from Simone Vostre Quart Series);
E1 Adoration of the Magi;
E3v Presentation in the Temple;
E6 Massacre of the Innocents;

IMG_0323
F1v Death of the Virgin;

IMG_0345
F8v battle and Death of Uriah;

747915_view 03_03
G1 King David and Bathsheba bathing;
G8v The poor Lazarus at the banquet of the rich, “Lazarus and Dives”;
H1 Massacre of the Innocents (Repeated);
L 8v Mary Immaculate;
M4v Hardouin Device.

Small Woodcuts:
A7, San Luca Evangelist in the Scriptorium;
A7v, San Matthew Evangelist in the Scriptorium;
A7v, San Mark Evangelist in the Scriptorium;
C8, Sanhedrin trial of Jesus;
I8 Man of Sorrows on a sarcophagus;
I8v Man of Sorrows on a sarcophagus (repeated);
I8v miracle of Pentecost;
K1v Annunciation;
K4v Archangel Michael as a conqueror of the Satan;
K4v Beheading of John the Baptist;IMG_0329
K5 John the evangelist with the cup of poison;
K5 decapitation of the Apostle Peter;
K5v St. James at pilgrimage with book;
K6 Martyrdom of St. Stephen standing with book and stones;
K6 St. Lawrence on the grill;
K6 St. Christopher carrying the Christ;
K6V Martyrdom of St. Sebastian;
K7v St. Nicholas with the three boys;
K7v St. Claudius as a bishop with book;
K8 St. Anthony as a hermit with his pig;
K8 St. Anne teaches Maria to read;
K8v St. Mary Magdalene standing with the Ampulla;
K8V St. Catherine with wheel, sword and book;
L1 St. Margaret escaping from the Satan, in the shape of a dragon;
L1 St. Barbara standing with tower and palm branch;
L1v Beheading of St. Barbara;
L3 Crucifixion with Mary and John;
L6 Annunciation to Mary. The words on the fourth line of the colophon and the entire 3 lines below that obliterated. Contemporary owner’s motto and arms painted in colors and gold on vellum leaves at beginning and end; early 19th-century booklabel of Bettison’s of Cheltenham & Leamington; 19th-century armorial bookplate of George Folliot.IMG_0340

In these Hardouyn Hours the metal cuts are emulating those of “Vostre”s new style of illustration”(see the next item in this catalogue).

Bohatta 887, 891, ; Brun, pages 18 and 210 (“la meilleure production des presses d”Hardouyn”); Fairfax Murray/French 270; Lacombe 199. Brunet, Manuel , V, Paris 1864, coll. 1628-1644; Ph. Renouard, Imprimeurs Parisiens , etc., Paris 1898; P. Lacombe, Livres d’heures etc., Paris 1907; Bohatta, Bibliographie des livres d’heures .Vienna 1909; R. Brun, Le livre illustré en France au XVI and siècle , Paris 1930, pp. 22-26.
  1. Newberry Library

2.Huntington Library,

3.Morgan Library & Museum

4.University of British. Columbia

5.University of Cambridge

  1. Koninklijike Bibliotheek

 

 

747915_view 04_04
Nessus is well known for his part in the story of the Shirt of Nessus. He was a ferryman, and one day, he had to carry Deianeira, wife of Heracules, across the river. After they crossed the river, Nessus tried to have sex with her, but Hercules watching from the other riverbank, shot an arrow straight into Nessus’ chest. Before he drew his final breath, Nessus told Deianeira that his blood would ensure that her husband would be faithful to her in eternity. Deianeira believed him and collected some of the centaur’s blood.

(E.B.)

 

 

 

IMG_0344

 

349G Book of Hours. part II

This post is a continuation of yesterdays, I’m making our way through this wonderful book of Hours, first I’ll identify and ramble on about the miniatures, I will be adding to the blog daily as I have time.

Image

Because of his endurance under trial and his vocation, Sebastian is the patron saint of soldiers and athletes. and plague victims. In the text facing this miniature  there is a prayer (from the Suffrages) asking to be spared from the plague.

Roman martyr;  little more than the fact of his martyrdom can be proved about St. Sebastian.  In the “Depositio martyrum” of the chronologer of 354 it is mentioned that Sebastian was buried on the Via Appia. St. Ambrose (“In Psalmum cxviii”; “Sermo”, XX, no. xliv in PL, XV, 1497) states that Sebastian came from Milan and even in the time of St. Ambrose was venerated there. The Acts, probably written at the beginning of the fifth century and formerly ascribed erroneously to Ambrose, relate that he was an officer in the imperial bodyguard and had secretly done many acts of love and charity for his brethren in the Faith.  When he was finally discovered to be a Christian, in 286, he was handed over to the Mauretanian archers, who pierced him with arrows; he was healed, however, by the widowed St. Irene. He was finally killed by the blows of a club. These stories are unhistorical and not worthy of belief. The earliest mosaic picture of St. Sebastian, which probably belongs to the year 682, shows a grown, bearded man in court dress but contains no trace of an arrow. It was the art of the Renaissancethat first portrayed him as a youth pierced by arrows. In 367 a basilica which was one of the seven chiefchurches of Rome was built over his grave. The present church was completed in 1611 by Scipio Cardinal Borghese. His relics in part were taken in the year 826 to St. Medard at Soissons. Sebastian is considered a protector against the plague. Celebrated answers to prayer for his protection against the plague are related of Rome in 680, Milan in 1575, and Lisbon in 1599. 

Löffler, K. (1912). St. Sebastian. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved August 1, 2013 from New Advent: http://www.newadvent.org/cathen/13668a.htm

The next Miniature is the Annunciation:

DSC_0049

In this full-page miniature, the Virgin seated at a prie-dieu covered with a blue cloth with an open prayer-book. Mary receives the message from the angel Gabriel with a staff in his left hand, that she has been chosen to be the Mother of God as the Dove of the Holy Spirit flies above them both. This miniature is surround by a border which has lush foliage , a happy blue bird and another bird  standing on huge strawberries. It is interesting that the text goes outside of the box in two lines.

A blue Peacock?
A blue Peacock?

The Annunciation is the first prayers practiced in the early Morning( day break):   Ad Matutinum [Ave Maria

V: Domine labia mea aperies.

R: Et os meum annunciabit laudem tuam.

V: Deus in adiutorium meum intende.

R: Domine ad adiuvandum me festina.

Gloria Patri, et Filio: et Spiritui sancto.

Sicut erat in principio, et nunc, et semper: et in saecula saeculorum, Amen. Alleluia.

. Alleluia.

Sic dicitur Alleluia, ad omnes Horas, a Vesperis Sabbathi sancti, usque ad Completorium Sabbathi ante Dominicam Septuagesimae. Tunc enim usque ad Vesperas Sabbathi sancti dicitur: Laus tibi Domine, Rex aeternae gloriae.

DSC_0051

On folio 25v Mary and Elizabeth in a vail Lauds. Visitation. Mary greets her cousin Elizabeth, the mother of John the Baptist, who gestures towards the swollen belly of the Virgin. The  text reads “The text reads: “Deus in adiutorium meum intende. Domine adjuvandum me festina,” (“O God, come to my assistance. O Lord, make haste to help me.”) is from the first verse of Psalm 69. The words from the introductory prayer to every Hour. As you can see   the haloed figures are both dressed in elaborate blue  and gray and gilt gowns, and covered with gold and red robes, with various individual details and embellishments. In he background is a  large medieval tower and fields and trees.  As with all the other miniatures in this book there is an elaborately foliated border featuring Strawberries  and other fruits and vegetation within alternating clear and brushed gold compartments frames the scene. It also features two grotesques—one  sort of looks like an “alligator- dog ” the other  a rooster. DSC_0052

Folio 31r is a Crucifiction. The scene depicts the Crucifixion with Mary and Mary Magdalen mourning beside the cross.  To the right of the central figure, an army watches on, led by Pilate’s soldiers stand to the left of the cross.

DSC_0054

Create a website or blog at WordPress.com

Up ↑

%d bloggers like this: