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Seven Emblem books and two others!

Two sort of emblematic books (A&B) and Seven(1-7) emblem books in contemporary or original bindings!

1)   Andres Alciati 1492 – 1550

V.C. Emblemata (Viri Clarissimi) Emblemata. Cum Claudij Minois ad eadam Commentariis & Notis Posterioribus. Quibus Emblematum omnium aperta origine, mens auctoris explicatur, & obscura omnia dubiáque illustrantur.

Lugduni (Lyon), Hæred. Gvlielmi Rovilii, 1600. 1600. Bound in coeval vellum with author and title on the spine in an early hand. Octavo ã8, e4, i8 A-Eee8, Eee*2 Fff8 Ggg4.

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The ultimate reference for this book is Daly’ Andres Alciatus Index Emblematicsus 1985; ; Landwehr, J. Romanic emblem books; 89 ; Adams, A. French emblem books; F.063; Emblem books at the Univ. of Illinois; A32; Green, H. Andrea Alciati and his books of emblems,; 127; Baudrier, 1895-1921, v. 9, p. 464-65;. Item #738G

738G_2The emblem book, which attained enormous popularity in continental Europe and Great Britain, was certantly made most popular by Alciati. . ¶Alciato’s emblems were first published in Augsburg in Germany. first issued in an unauthorized edition in which the woodcuts were chosen by the printer without any input from the author, who had circulated the texts in unillustrated manuscript form.(two editions in 1531 and one in 1534); from 1534 onwards publishing shifted to France first Paris, and remained there for the next thirty years. Wechel, who printed the Paris editions (from 1534), are like those in Augsburg. He can be said to have set the standard for clear presentation of emblems, with each emblem beginning on a fresh page, featuring the motto or title, the pictura below that, and then
¶ The 1550 Latin edition by Rouille( Lyons) is the first to have 211 emblems (the whole corpus, apart from the so-called obscene emblem ‘Adversus naturam peccantes’) illustrated. This edition includes biography of Andrea Alciati (leaves i1-i8). These emblems depict Alciati’s concern for the eternal nature of man and its contradictions, the attentive ear to the popular speech, the unfolding of the personality, madness, the reflection on human existence, the relationship between man and the woman, the struggle between reason and passion, and to the satire of society and its rules and rulers.


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A) CARTARI 343J  Vincenso Cartari.   1531–1569

Seconda novissima editione delle Imagini de gli dei delli antichi di Vicenzo Cartari …Ridotte da capo a piedi alle loro reali, & non più per l’adietro osseruate simiglianze. cauate da’marmi, bronzi, medaglie, gioie, & altre memorie antiche; con esquisito studio, & particolare dligenza da Lorenzo Pignoria … Aggionteui le annotationi del medismo sopra tutta l’opera, & vn discorso intorno le deità dell’Indie orientali, & occidentali, con le loro figure tratte da gl’originali, che si conseruano nelle Galleri de’principi, & ne’musei delle persone priuate. Con le allegorie sopra le imagini di Cesare Malfatti … Et vn catalogo di cento più famosi dei della gentilità. Con l’aggiunta d’vn’altro catalogo de gl’autori antichi, & moderni, che hanno trattato questa materia, ordinato & raccolto dal medesimo Pignoria che ha accresciute le annotationi & aggiunte molte imagini.

In Padova, Nella stamparia di Pietro Paolo Tozzi. 1626. Quarto, 9 1/4 x 6 1/2 in 224×162 mm.  Signatures:   ‡8 ≠≠1,a6, ‡‡4 [∏2 FOLDOUTS] A-Z8 ,AA-OO8  (38 pages, 589 pages illustrations, two  folded plates) [[38] pages, 589 pages illustrations, two  folded plates 24 cm]. 2 double-page woodcuts and 227 full-page and in-text woodcuts of the ancient gods by Cesare Malfatti.          *   *.   *

 

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#1 Vincenzo Cartari, Images of the Gods of the Ancients: The First Italian Mythography, translated and annotated by John Mulryan. Medieval and Renaissance Texts and Studies vol. 396. Tempe, AZ: Arizona Center for Medieval and Renaissance Studies, 2012.

IMG_4241Praz 36; Cicognara 4686; Graesse II.56; Nagler XXII.15, ; Harvard 156.108; JCB Library catalogue; 2:198; Sabin 11104.;  BM. STC.(Ital.) 152.; ‘Choix 4280. See Also: Mortimer, Italian, 108 note. Caillet 2047 (French trans.) Brunet I,1601. Graesse II,56.Univ. Cat of Art, 287. Arntzen & Rainwater H35.Dekesel 16th, C11.                                                                                     And :

1)Sonia Maffei, ‘Le imagini de i Dei degli antichi di Vincenzo Cartari: Dalla poesia all’archeologia’ http://dinamico2.unibg.it/cartari/leimaginideiDei.html

2) Marco Urdapilleta Muñoz, ‘El bestiario medieval en las crónicas de Indias (siglos XV y XVI)’, Latino América, Revista de Estudios Latinoamericanos, 58 (2014), 237-70. 5160.235500

3) Miguel A. Rojas Mix, América imaginaria (Barcelona, 1992) LB.31.b.10858

4) Rosa López Torrijos, La mitología en la pintura española del Siglo de Oro (Madrid, 1985). YV.1988.b.1010 María Jesús Lacarra, Juan Manuel Cacho Blecua, Lo imaginario en la conquista de América (Zaragoza, 1990). YA.1997.a.7376

5) Mercedes Aguirre at 11:59:11 in Americas , Collections , Latin America , Medieval history , Mexico , Rare books. BL.

6) Mexican Codex Vaticanus 3738. Item #743

This is the First Edition in which the antiquarian and egyptologist who was also  interested in the sciences, and a friend of Galileo. Lorenzo Pignoria added  his appendix Seconda Parte delle Imagini de gli Dei Indiani displays detailed illustrations of some archeological remains portraying Mexican, Egyptian, Indian and Japanese gods, seeking ‘a sort of unique visual language in pre-Christian religions.  It is bound in.

Price: $4,500.00

 

 

B).  Cuper, Gisbert Cuper. 1644-1716

Gisb. Cuperi Harpocrates, Sive Explicatio imaguncluæ argenteæ perantiquæ; quæ in figuram Harpocratis formata representat Solem. Ejusdem Monumenta Antiqua Inedita. Multi Auctorum loci, multæ Inscriptiones, Marmora, Nummi, Gemmæ, varii ritus, & Antiquitates in utroque Opusculo emendantur & illustrantur. Accedit Stephani Le Moine Epistola de Melanophoris.

Utrecht: (Trajecti ad Rhenum) Apud Franciscum Halma, Acad. Typogr., 1687, Quarto. This copy is bound in 20th century quarter calf. .

 

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¶Harpocrates was adapted by the Greeks from the Egyptian child God Horus, who represented the newborn sun, rising each day at dawn. Harpocrates’s name was a Hellenization of the Egyptian Har-pa-khered or Heru-pa-khered, meaning “Horus the Child”. In the second century B.C., Egyptians connected Harpocrates with the mystic cult of the Egyptian goddess Isis. Harpocrates holds a finger to its lip for the Egyptians a symbolic gesture representing childhood.

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¶Yet the Greeks mistook for a hush for silence., misinterpreting Harpocrates as the personification of silence, and this particular work is a study of statues and other art from classical antiquity that depict these later figures of silence. And again, the Roman interpretation added strength to the Mystery of silence.

The frontispiece signed and dated in the plate: Joh. van der Avele invention and fecit. Title page in red and black. This edition is enhanced with a letter of Etienne Le Moyne; this text has a half-title and the second text: Monumenta Antiqua. Cuper’s research is a precursor to art history and Winckelmann.

Brunet 6, no. 22603; Cicognara 3212; Ebert 5512; Graesse 2,308 , Item #388J

Price: $1,800.00

 

2). David, Jan David. 1545?-1613

Veridicus christianus: auctore P. Joanne David … Editio altera, auctior.

382J_3Antverpiæ ex officina Plantiniana, M. DCVI. Second edition. This copy is bound in full Untitledcontemporary blind stamped calf over wooden boards with two working clasps. Quarto ‡4, ‡‡4, A-Z4, a-z4, Aa-Ee4.+ 100 Numbered Plates. With a special engraved t.p. with allegorical depiction of Christ carrying the cross, surrounded by ten artists at easels painting scenes from his life (as well as a few questionable profane subjects). The vovelle : The centers of the engraving and the volvelle (through which a string passes) are reinforced with small paper roundels printed with the monograms of Christ. The numbers are keyed to an “Indiculus orbitae” that follows (Bb1r-Bb2r). There a number, having been selected, is provided with a phrase from various Latin authors (listed on Bb2v), and a reference to one of the hundred sections that comprise the main text. It is suggested in Bibliotheca Belgica that this game may have been intended as a pious alternative to such superstitious books as Thuys der fortvnen.

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Veridicus Christianus emphasizes the Society of Jesus’ investment in thinking in, though, and about visual images that exemplify the supreme mystery of God. Published as a tool of devotion and meditations, it features one hundred chapters that encompass a wide

range of topics for reflection. Each chapter incorporates an extensive commentary that interprets the emblematic image David too follows the order in which we apprehend things with our senses, beginning with a visual representation at the head of each chapter. Then comes the explication. The symboli explicatio was considered necessary because cultivated readers would be more susceptible to a reasoned argument than a 382J_6-1picture. The text is divided into 100 chapters, each with an allegorical engraving incorporating letters keyed to the explanatory text and with marginal references. Each of the 100 numbered plates has a single line of Latin at the head giving the subject, with two-line explanatory verses below the allegorical engraving in Latin (roman letter), Dutch (civilité) and French (italic) First plate (following [2 daggers]4) is added title leaf for the ill., which were also published separately; see Bibliotheca Belgica. The added title reads: Icones ad Veridicvm Christianvm P. Ioannis David e Societate Iesv At the end is Device with compasses and the motto “constantia et labore” on Ee4r . This book is notoriously found defective in one way or another, this copy is perfect and complete.
. Item #382J
De Backer-Sommervogel Vol.II col 1845 N. 5; Funck 302; Praz 313: EBIU D 17; Landwehr EFBLC 138; Landwehr FISP 253. Daly & Dimler CLE Jesuit Series Part one p160 #J.153.

Price: $5,500.00

 

 

3) David, Joannes David 1546-1613.

Duodecim specula deum aliquando videre desideranti concinnata.

Antwerp: Antverpiae: Ex officina Plantiniana, apud Ioannem Moretum, 1610, 1610. Theodor. Galle fecit. First Edition? This copy is bound in a contemporary soft vellum, (recovery vellum with writing. Faded and on the the inside. ) Ex libris ms.

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First edition of this wonderfully illustrated work about 12 mirrors mankind uses to try and see God. David was born at Courtrai and entered the society of Jesuits in 1581. He was distinguished for his zealous fight against heresy. “Emblem number with caption,pictura with motifs flagged, then subscriptio,prose identification flagged motifs,facing page with number followed by a prose conversation between Anima and Desiderus.

dsc_0047-21-1Youth edition with engravings only, without text. Each plate bears, at the top, a serial number and an inscription indicating the subject represented in the bottom part a Latin couplet with a summary explanation. RRef. Landwehr 188, Funck p. 303, BCNI 5556, Bibl. Belg. D 157, Praz p. 313 “scarce”

DeBacker-Sommervogel vol. II col.1851 no.20 ; McGeary & Nash. Emblem books at the Unviersity of Illinois,; G2; Daly & Dimler corpus Librorun eblematun(CLE) J141; Praz, M. Studies in 17th century imagery,; vol. I p.192 vol.. II, p. 46; Landwehr, J. Dutch emblem books,; Funck p. 303, BCNI 5556, Bibl. Belg. D 157; see also The Jesuits and the Emblem Tradition: Selected Papers of the Leuven International Emblem Conference, 18-23 August, 1996.

. Item #409J

Price: $1,900.00

 

 

4)  Izquierdo, Sebastian Izquierdo, Saint Ignatius of Loyola

Praxis exercitiorum spiritualium P.N.S. Ignatti. Auctore P. Sebastiano Izquierdo Alcarazense Societatis Jesu.

Rome: Romae : Typis Joannis Francisci Buagni, 1695, 1695. Octavo 7 X 4.75 inches A-G8,H4 This copy is very clean and bound in full contemporary vellum. Landwehr, Romanic, 412.Sommervogel, IV, 70 1#4 ; Palau 291230; Landwehr:Romantic 412.; Praz,p.382. Item #716
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The Jesuit Sebastián Izquierdo in his Práctica de los ejercicios espirituales, written in (Spanish in )1665 translated in to Italian the same year then in 1678 translated as here into Latin and later published in several translations and versions offers an illustrated guide to the Ignatian spiritual exercises. The illustrations, 12 of them, are the subject of image meditation which was a favorite method of the Jesuits who, beginning with the monumental Evangelicae Historiae Imagines (1593) of Jerónimo Nadal, actively took hold of religious iconography and adjusted and concentrated it for the teaching of the Societies ( and Ignatius’ ) vision. The images are not just simple depiction’s instead they are mnemonic devices. These images are points of departures and give the current 21st century reader a precious examples of images that inspire meditation, direct the reception of the teachings and anchor them in the memory. Particularly memorable is the Image of Hell on page 72,IMG_4583
The lay-out shows the pedagogical intentions and possibilities of this little book: there are 12 parts consisting of 12 separate quires, numbered from ‘A’ to ‘M’ and paginated each from 1-12, each with its own full-page illustration , these could have been meant to be distributed separately – according to match the educational needs or level of the students. The Images are in high contrast, with plenty of Bloody and memorable images. The Puteus Abyssi depicts a poor man who is naked and sitting in a chair in some sort of oubliette. He has sevenswords, each with animal head handles, in him and each is strategically stuck in various parts of the body. The swords are labeled for the passions. Most interesting of these might be the sword marked ‘Vengeance’ it is hanging offer the mans head, the Idleness sword is stuck between his legs, Gluttony in his stomach, Lust … Envy in his back, Avarice between his Shoulders and Pride in his heart.Izquierdo was also the author of Pharus scientiarum, a treatise on a methodology to access knowledge, IMG_4584conceived as a single science. In this work, he assimilated Aristotelian and Baconian logic, and he expressed some original ideas on mathematics and logic that have earned their author a reputation as an outstanding mathematician. Not just like his Spanish contemporaries John Caramuel or Tomás Vicente Tosca , but also significant foreign mathematicians as Athanasius Kircher , Gaspar Knittel or Gottfried Wilhelm Leibniz , the latter, in particular, cited with, his Disputatio of Combinatione, in Combinatorial Art (1666).

Price: $1,800.00

 

5) SCARLATINI, Ottavio Scarlatini

Homo et eius partes figuratus & symbolicus, anatomicus, rationalis, moralis, mysticus, politicus, & legalis, collectus et explicatus cum figuris

Augsburg & Dillingen, Johann Caspar Bencard, 1695. First and only Latin edition. Bound in a beautiful contemporary pig skin over wooden boards. Caillet 9948 (“unique in its genre”); Landwehr, German emblem books 530; Praz 490 note; R. Raybould, Emblemata 29. Item #734

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With 42 engraved emblems revolving around the human body and body parts. It describes and depicts the human body in its details and in its entirety in every aspect 734_4conceivable. The book also discusses magic, in the strict sense of the word, revealing many marvellous secrets, such as the occult properties of saliva, urine, sperm, etc.”The erudition demonstrated by the author is really quite extraordinary” (Raybould) including metoposcopy (the interpretation of facial wrinkles for divination!). . Book One studies individual organs: heart, etc. And Book Two the overall dignity of the whole and aspects of human life.An appendix adds short accounts of several subjects, including “hieroglyphia” and “androgyni”, along with short works by other authors: Lactantius Firmianus’s “De opificio Dei”, Coelius Rhodiginus on humanity, and a long “Ode” to humanity: “Considerationes patheticae de creatione, & dignitate hominis” based on Trismegistus, Plato, Coelius and other ancient sources.With a faint marginal water stain and a couple small rust spots in the paper, but 734_2otherwise in fine condition. The binding shows a few scratches, cuts and stains, small cracks at the head and foot of the hinges and 1 sewing support broken at the hinge, but is still in good condition. A fascinating emblem book for both text and imagery (some of it now also humorous), and an impressive piece of book production.734_3

Price: SOLD 

 

 

6). Sucquet, Anton Sucquet

Piæ considerationes ad declinandum à malo et faciendum bonum : cum iconibus Viae vitae aeternae R.P. Antonij Sucquet è Societate Iesu.

Viennæ Austriæ : Wien : [s.n.], 1672, 1672. Boetius a Bolswert and title by “I.M. Lerch sc. Viennae. Quarto,4 ¾ X 7 inches . ( no printed signatures) π 4 A-T4 V2. This copy is bound in original vellum. There is a really interesting modern bookplate on the pastedown. ¶ Praz, M. Studies in 17th cent. imagery (2nd ed.),; p. 506; Corpus librorum emblematum. Jesuit series,; J.1414; Landwehr, J. German emblem books,; 564; De Backer-Sommervogel,; VI, column 892, no. 2. Item #715
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There is an engraved emblematic title page signed “I.M. Lerch sc. Viennae;” The other 32 illustrations (numbered 1-32) are full-page emblems engraved by Boetius a Bolswert–See Landwehr.
¶The Illustrations are printed on the verso of leaf, recto is blank; accompanied by explanatory text on facing leaf. The text and illustrations are printed within ruled border.
This popular emblematical work is arranged as a series of meditations, by the Jesuit IMG_4589Antoine Sucquet. Many religious emblem books were published during the 17th and 18th centuries, and of these, Sucquet’s work was one of the most popular. Because of its engravings by Boëtius a Bolswert , it was especially important for the development of the 17th-century Christian iconography. The counter-reformation produced a great number of emblematic meditation-books where text and illustrations are interwoven. Emblem books were therefore much favoured by the Jesuits for the purposes of teaching, as religious propaganda, and to provide subjects for meditation. The 17th-century Jesuit curriculum prescribed that emblems were composed in the schools. Members of the highest classes in the Flemish Jesuit colleges each composed an emblem, and the production of the entire class was collected in commemorative albums painted by professional artists and IMG_4590calligraphers. The meditation on the soul’s relation to Christ was precisely guided by provision of references in the engravings. The first religious catholic emblem book was published in 1571 and composed by Arias Montanus. In 1601 Jan David composed the first Jesuit emblem book, the “Veridicus Christianus”. Sucquet’s work is composed around the widely spread concept of the “homo viator in bivio”, the creature who during his life again and again arrives at the cross and has to make the good choice for the narrow and difficult path to his eternal destination. Sucquet made clear that vision is the most important sense of a human being. It had foundational importance for the Christian iconography of the seventeenth century. According to Brunet the work was very much searched after by the pious for its texts, by the curious minds for the 32 engravings by Boetius a Bolswert

Price: $1,900.00

 

7) Venius, Otto van Veen

Theater moral de la vida humana, en cien emblemas; con el Enchiridion de Epicteto, y La tabla de Cebes, philosofo platonico.

Antwerp: Amberes,{Antwerp} Por Enrico y Cornelio Verdussen 1701, 1701. The Rubens master. third Edition.This large folio is bound in full contemporary vellum with gilt tooling. Snags repaired in the blank of the title page and on the folding Engraving , without damaging the text. Scattered freckles. Good copy. Landwehr, Dutch 240; Landwehr, Low Countries 678. (cfr. PRAZ, Studies in seventeenth-century imagery I pp.523-524 & Peeters Fontainas Bibliographie des impr. espagn. des Pays-Bas mérid. 1275;. Folio. 14 x 9 inches * 6, ** 4, *** 2, A-Z4, 2A-2C4 / a4, a-f4, g2. Item #97
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This Emblem book is made up of three Stoic works, beginning with Text from Horace in latin with 103 copper plates of engravings, That is a full page engraving of Vaenius by his daughter Gertrude van Veen engraved by Pontius.

These emblems also appeared in “Emblems from Horace, but not directly, these engravings represent both allegoric and general passages from Horace, these are in Spanish. The Horace is followed by

The Table of Cebes which has a large folding plate (16 x 13 inches) Cebes’ Tablet is an Ekphrastic work interpreting a probably mythical Tablet which symbolically represents “the whole Truth of Human life” Cebes is one of the characters in The Phædo of Plato. Xenophon tells us that Cebe was in the inner circle of Socrates’ friends. This is followed by The ENCHRIDION of Epictetus, in spanish. This manual is a ‘hands-on’philosophical collection of epigrams which promises to free the mind from Fear and enslavement to false Ideas.

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Price: $3,500.00

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